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MICROSTORY OF ART
ONLINE JOURNAL FOR ART, CONNOISSEURSHIP
AND CULTURAL JOURNALISM
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INDEX | PINBOARD | MICROSTORIES |
FEATURES | SPECIAL EDITIONS |
HISTORY AND THEORY OF ATTRIBUTION |
ETHNOGRAPHY OF CONNOISSEURSHIP |
SEARCH
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>MICROSTORIES
- Richard Serra
- Martin Scorsese
- Claude Simon
- Sunshine
- Werner Herzog
- The Creation
- Marcel Duchamp
- Nino Rota
- Wölfflin and Woolf
- Hansjörg Schneider
- Kraftort Arkadien
- Visual Biography
- Schlaraffenleben
- Die Geisteswissenschaften
- The Voyeur
- Buzzword Sustainability
- Paul Verlaine
- Tao Yuanming
- New Beginning
- Seneca
- Still Lifes
- Charles Baudelaire
- Frédéric Chopin
- The Art History of Sustainability
- Wang Wei
- Solarpunk
- Historians of Light
- Lepanto
- Renaturalization
- Plates
- Snow in Provence
- Learning to See
- Picasso Dictionaries
- Peach Blossom Spring
- Picasso Tourism
- Tipping Points
- Sviatoslav Richter
- Weather Reports
- Treasure Hunt
- Another Snowscape in Picasso
- Picasso in 2023
- Dragon Veins
- The Gloomy Day
- The Art of the Pentimento
- Reforestation
- The Status of Painting
- Emergency Supply
- Punctuality
- Watching Traffic
- Zhong Kui
- How Painting Survived the 1990s
- Confirmation Bias
- Sustainability and Luxury
- Garage Bands
- Picasso and Artificial Intelligence
- Eyes of Tomorrow
- Picasso in 2023 2
- Gluing Oneself to Something
- Suburbia
- Bamboo
- Sustainability and Carpe Diem 1
- Interviews with Bruegel
- Sustainability and Carpe Diem 2
- Coffee & Sugar
- Bamboo 2
- Picasso in 2023 3
- Sustainability and Carpe Diem 3
- Cherry Orchard
- Old Magazines
- Chance
- Nick Drake
- Harlequin
- The Smartphone & the Art Book
- Atlas Syndrome
- The Kitchen
- Atlas Syndrome 2
- Consideration
- Tori Amos
- School
- Orchard Auctioning Day
- The Hundred Years’ War
- Sócrates
- Chameleon
- Nefertiti Bust
- Picasso as a Computer
- Sunflowers
- Philemon & Baucis
- Ode to the Radio
- Childhood
- Wimmelbild
- Restitution
- Nick Drake 2
- Wishful Thinking
- Sundays
- The Independent Scholar
- September
- The Fisherman by Pirosmani
- Microadventure
- Sociology
- Salvator Mundi
- Chillon
- Appassionata
- Amber
- Homer
- Berlin
- Planet Walk
- Improvisation
- Seeing Picasso
- These Nice Kids
- Robber
- The One
- The Sea Turtle
- Zoo
- Through the Hush
- Wunderkammer
- I Do Not Seek, I Find
- Shopping Mall
- Food Hamper
- The Secretary
- This Gate
- Nor Rainy Day
- House on a Hill
- Beautiful Island
- Second-hand Bookstore
- Flat
- Slap in the Face
- Serra, Wenkenpark
- Apologies
- The Bells
- Nordmann Fir
- Picasso Wanting To Be Poor
- Picasso, Pirosmani
- A Brief History of Sculpture
- 24 Sunsets
- Rusty Phoenix
- Glove
- Wintry Stanza
- A Song
- Like A Beatle
- Catching An Orange
- Solar Bees
- Permaculture
- >FEATURES
- Van Gogh On Connoisseurship
- Two Museum’s Men
- Ende Pintrix and the City in Flames
- Titian, Leonardo and the Blue Hour
- The Man with the Golden Helmet: a documentation
- Un Jury d’admission à l’expertise
- Learning to See in Hitler’s Munich
- Leonardo da Vinci and Switzerland
- The Blue Hour Continued
- The Blue Hour in Louis Malle
- Kafka in the Blue Hour
- Blue Matisse
- Blue Hours of Hamburg and LA
- A Brief History of the Cranberry
- The Other Liberale in the House
- The Blue Hour in Raphael
- Who Did Invent the Blue Hour?
- Monet on Sustainability
- Velázquez and Sustainability
- The Blue Hour in Guillaume Apollinaire
- Van Gogh on Sustainability
- The Blue Hour in Marcel Proust
- Picasso and Sustainability
- The Contemporary Blue Hour
- The Blue Hour in 1492
- The Blue Hour in Hopper and Rothko
- Hopper and Sustainability
- The Blue Hour in Ecotopia
- The Hour Blue in Joan Mitchell
- Explaining the Twilight
- The Twilight of Thaw
- The Blue Hour in Pierre Bonnard
- Explaining the Twilight 2
- Picasso on Stalin
- Rubens on Sustainability
- The Salvator Mundi in Bruegel and Rubens
- The Blue Hour in Leonardo da Vinci and Poussin
- The Blue Hour in Rimbaud
- Faking the Dawn
- Frost and Thaw in Ilya Ehrenburg
- Picasso, Stalin, Beria
- Picasso, Solzhenitsyn and the Gulag
- Shostakovich on Picasso
- Hélène Parmelin in 1956
- Historians of Picasso Blue
- Picasso Travelling to Moscow 1
- The Blue Hour in Caravaggio
- Picasso Travelling to Moscow 2
- Picasso, the Knife Game and the Unsettling in Art
- Some Notes on Leonardo da Vinci and Slavery
- Picasso Moving to the Swiss Goldcoast
- The Blue Hour in Camus
- The Blue Hour in Symbolism and Surrealism
- Caspar David Friedrich in His Element
- Exhibiting the Northern Light
- Caspar David Friedrich in His Element 2
- Robert Schumann and the History of the Nocturne
- The Blue Hour in Robert Schumann
- Caspar David Friedrich and Sustainability
- The Twilight of Thaw 2
- Multicultural Twilight
- The Blue Hour in Anton Chekhov
- The Blue Hour in Medieval Art
- Twilight Photography
- The Blue Hour in Bob Dylan
- Iconography of Optimism
- >SPECIAL EDITIONS
- Visions of Cosmopolis
- Mona Lisa Landscapes
- Turner and Ruskin at Rheinfelden
- Painters On TV & On TV
- Spazzacamini in Art
- A Last Glance at Le Jardin de Daubigny
- The Experimental Cicerone
- A Dictionary of Imaginary Art Historical Works
- Iconography of Blogging
- Begegnung auf dem Münsterplatz
- Cecom
- Das Projekt Visual Apprenticeship
- Those Who See More
- A Fox on Seeing with the Heart
- Sammlung Werner Weisbach
- Daubigny Revisited
- Some Salvator Mundi Microstories
- Some Salvator Mundi Afterthougths
- Some Salvator Mundi Variations
- Some Salvator Mundi Revisions
- A Salvator Mundi Questionnaire
- A Salvator Mundi Puzzle
- Unknown Melzi
- Francis I and the Crown of Charlemagne
- From Amboise to Fontainebleau
- Drones Above Chambord
- Looking Back At Conques
- Flaubert At Fontainebleau
- Images of Imperial Ideology
- The Chronicles of Santa Maria delle Grazie
- Seeing Right Through Someone
- Melzi the Secretary
- Eying Glass
- A Foil to the Mona Lisa
- A Renaissance of the Cartoon
- Sketching a Family Tree
- Venetian Variations
- A Brief History of Digital Restoring
- A Consortium of Painters
- Leonardeschi and Landscape
- A Christ in Profile
- Learning to See in Spanish Milan
- A History of Gestures
- Leonardo and Josquin
- A Renaissance of the Hybrid
- Suida and Heydenreich
- The Watershed
- Three Veils
- From Beginning to End
- Connoisseurship of AI
- Twilight and Enlightenment
- The Blue Hour in Chinese Painting
- Dusk and Dawn at La Californie
- Iconography of Sustainability
- The Blue Hour in Goethe and Stendhal
- The Sky in Verlaine
- The Blue Hour in Paul Klee
- Iconography of Sustainability 2
- The Blue Hour in Charles Baudelaire
- From Bruegel to Solarpunk
- Some Salvator Mundi Documentaries
- Some More Salvator Mundi Monkey Business
- The Windsor Sleeve
- Brigitte Bardot’s Encounter with Picasso
- Art Historians and Historians
- A Salvator Mundi Chronicle
- The Salvator Mundi and the French Revolution
- The Fontainebleau Group
- The Encounter of Harry Truman with Pablo Picasso
- The Fontainebleau Group Continued
- The Windsor Sleeve Continued
- The Salvator Mundi in Early Netherlandish Painting 1
- Some Salvator Mundi Resources
- A New Salvator Mundi Questionnaire
- The Woman in Picasso
- The Yarborough Group
- Melzi, Figino and the Mona Lisa
- The Yarborough Group Continued
- A Salvator Mundi Global History
- The Salvator Mundi in Medieval Art
- The Salvator Mundi in Medieval Art 2
- The Salvator Mundi in Early Netherlandish Painting 2
- >HISTORY AND THEORY OF ATTRIBUTION
- The Mysterious »Donna Laura Minghetti-Leonardo«
- Assorted Demons of Connoisseurship
- Panofsky Meets Morelli
- Discovering the Eye of Sherlock Holmes
- Handling the Left-handed Hatchings Argument
- Visual History of Connoisseurship
- Alexander Perrig
- Connoisseurship in 2666
- What Postmodernity Has Done to Connoisseurship
- Dividing Four Fab Hands
- A Leonardesque Ambassador
- Test Cases in Connoisseurship
- A Raphael Expertise
- How to Tell Titian from Giorgione
- Louise Richter
- The Unique Property in the History of Connoisseurship
- An Expertise by Berenson
- The Book of Expertises
- An Album of Expertises
- An Expertise by Friedländer
- A Salvator Mundi Provenance
- How to Tell Leonardo from Luini
- An Expertise by Crowe and Cavalcaselle
- An Expertise by Bayersdorfer
- An Expertise by Hermann Voss
- An Expertise by Hofstede de Groot
- Leonardeschi Gold Rush
- An Unknown »Vermeer«
- An Expertise by Roberto Longhi
- An Expertise by Federico Zeri
- A Salvator Mundi Geography
- A Salvator Mundi Atlas
- The Bias of Superficiality
- 32 Ways of Looking at a Puzzle
- James Cahill versus Zhang Daqian
- Five Fallacies in Attribution
- On Why Art History Cannot Be Outsourced to Art Dealers
- On Why Artificial Intelligence Has No Place in Connoisseurship
- Salvator Mundi Scholarship in 2016
- Leonardo da Vinci at the Courts
- The Story of the Lost Axe
- The Last Bruegel
- A Titian Questionnaire
- On Where and Why the Salvator Mundi Authentication Did Fail
- The Problem of Deattribution
- >ETHNOGRAPHY OF CONNOISSEURSHIP
MICROSTORY OF ART
ONLINE JOURNAL FOR ART, CONNOISSEURSHIP
AND CULTURAL JOURNALISM
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- The Giovanni Morelli Monograph
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ONLINE JOURNAL FOR ART, CONNOISSEURSHIP AND CULTURAL JOURNALISM
Dedicated to Seeing Picasso in 1956
(Picture: DS)
Seeing Picasso
(17.10.2023)
Seeing Picasso
I always had wanted to see
Picasso, and at his home – as a Picasso
Tourist, which means: in his studio (at Cannes,
Villa La californie).
And so I joined a Chinese Cultural
Delegation in ’56, the year of the 100
Flowers Movement, and the way I did manage to join
Was mere camouflage, and I went with
The group as the one to interpret, specialized
In Chinese and not in Spanish, but actually I do not speak
Chinese very well, actually I do not speak
Chinese at all, nor Spanish, but still
I did manage to see
Picasso, welcoming the Chinese Cultural
Delegation and Picasso, a little bit bored, it seemed
Said to me (in his studio, right at the entrance where
The commode with hats, masks and so on, and with the mirror, was placed, and
Where Picasso used to make fun to break
The ice (because actually he was, it was said, quite shy).
To me he said: just among us, if I had been born
Chinese, I would write my pictures – not paint them, but since
I’m a Spaniard, I do write my pictures in my own way.
And this was what I kept in mind
From ’56, when I
Had not even been born.
MICROSTORY OF ART
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© DS