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The Twilight of Thaw 2 (Picture: Thomas Uhlemann; Bundesarchiv, Bild 183-1990-0625-029a) (Picture: wikiwlh) (7.6.2023) This contribution completes the investigation into the question of when exactly Nikita Khrushchev did deliver his notoriously famous ›Secret Speech‹ at the XX. Congress of the Soviet Communist Party in 1956, which means: at what time of day or night. It is the ›Morning Session Tradition‹ that probably will prevail historically, and not the ›nocturnal‹ tradition. And we will see here who (probably) did start and establish this tradition. (My earlier contribution on The Twilight of Thaw is reproduced below.) (Picture: author unknown; Robotnik; Boris Nicolaevsky before 1936) 1) The ›Morning Session‹ Tradition: Determining a Genealogy We encounter the assertion that Khrushchev delivered his speech on Saturday, 25 February 1956, in a morning session that was scheduled to begin at 10 o’clock, in the German Wikipedia, which, however does not provide a source. As we remember, it had been the New York Times which had initiated a tradition which I had called the ›nocturnal‹ tradition, according to which Khrushchev had spoken at night and into the early morning hours of February 25. But as I stumbled over a book by one of the most respected Cold War experts on the Soviet Union, namely by Wolfgang Leonhard (see large picture on the left), I can clarify now that the ›Morning session tradition‹ did exist already in 1959. 2) The Source While the monograph by Leonhard can be called, by today standards, a most solid classic monograph on the years of de-Stalinization, which, of course has to be read along with the more modern literature, it also and at the same time can be called: an interesting source in itself (since Leonhard offers many personal views and insights, beyond the mere representation and analysis of Soviet history), it is not quite clear who might have been the source for Leonhard. Who did provide him with the information, as to the schedule of the XX. Party Congress finale? (Picture: Roman Denisov / RIA Novosti) 3) From ›Silent‹ to ›Stormy‹ De-Stalinization: a Poem A charming feature of Leonhard’s book is that the author, in passing by, relates and quotes from poems, inspired by ›stormy‹ de-Stalinization and by the period known as ›Thaw‹, and one of these (rather little known) poems (quoted on p. 236) is by poet Robert Rozhdestvensky (see picture on the left), and called (in Leonhard’s translation) Morgendämmerung (Dawn). An English translation of what seems to be a somewhat different version can be found here, where the poem’s title is – Morning. Selected Literature:
The Twilight of Thaw (Picture: wikiwlh) (30.-31.10.2022) Few political speeches in history might have had a bigger impact than this one: with Nikita Khrushchev, the leader of international communism, on Saturday, 25 February 1956, embarking on de-Stalinization, by lifting a bloody, bloody cloth from some of Stalin’s crimes (into which Khrushchev had been involved himself), by giving the so-called ›Secret Speech‹ at the XX. Congress of the Soviet Communist Party, held at the Grand Kremlin Palace, the communist project got a blow from which it probably never did fully recover. Because – if Stalin had been a bloody butcher, everyone who had identified with Stalin was discredited, too, and from now on. And many had, and the news – for many it was not really news – was coming from the now-leader of international communism. It was coming from above. Did this mean that also communism, as a project, was discredited now, and from now on? This was the question; and history shows that it probably was, at least to a large degree, a degree unseen, but already feared in 1956. Khrushchev speaking at the XX. Party Congress, but of the secret session no picture does seem to exist The Nocturnal Tradition The ›nocturnal tradition‹, as I would like to call it, is the tradition initiated publicly by the New York Times, which, after reporting briefly on the ›Secret Speech‹ already in March of 1956, published the speech on 5 June 1956 (with the article being dated a day earlier), with the introduction stating that Khrushchev had spoken during a secret session on February 24 and 25. Since this session must have begun in the late evening (shortly before midnight), as one can conclude (because the speaker continued on the next day), the event was from now on framed as a nocturnal affair: something that had started at around midnight, and something that had been meant to stay a secret. And since the speech was actually quite long, one could also assume that it ended roughly at dawn. Picture from a documentary on the year of 1956, which is visualizing the time of day (or night) the ›Secret Speech‹ was given (in the Grand Kremlin Palace, with the commentary stating ambiguously (in the film) that it did take place in the ›early morning hours‹ (picture: youtube.com; ARTE) The ›Morning Session‹ Tradition While it is not quite clear when exactly the nocturnal tradition was being challenged for the very first time, one can easily see that, in parallel to the nocturnal tradition a ›Morning Session tradition‹ does exist (see for example the German Wikipedia), and one can assume that during the 1990s – by way of interviewing various participants of the secret session – the matter must have been clarified. Still, it seems that historians rather stay reluctant even today to address the matter (because here, on this page, the matter is actually being discussed explicitly for the very first time). Even Khrushchev biographer William Taubman, who actually clarifies the matter, does so rather implicitly, in passing-by (and without referring to the obvious haziness of historiography). But we would like to quote his clarification here (which is based on an interview with Khrushchev aide Pyotr Demichev (see page 722, note 42 of Taubman 2005; the following quote is from p. 281f.): Selected Literature: As in the Grand Kremlin Palace itself (compare picture above) it was also only Lenin who presided – on this 1956 Soviet stamp dedicated to the XX. Party Congress… MICROSTORY OF ART
The Blue Hour in Literature The Blue Hour Continued (into the 19th century) Kafka in the Blue Hour Blue Hours of Hamburg and LA The Blue Hour in Goethe and Stendhal Who Did Invent the Blue Hour? The Blue Hour in Guillaume Apollinaire The Blue Hour in Charles Baudelaire The Blue Hour in Marcel Proust The Blue Hour in Ecotopia Explaining the Twilight (Samuel Beckett) Explaining the Twilight 2 The Blue Hour in Rimbaud The Blue Hour in Camus The Blue Hour in Symbolism and Surrealism Caspar David Friedrich in His Element The Blue Hour in Painting Titian, Leonardo and the Blue Hour The Blue Hour Continued (into the 19th century) Blue Matisse The Blue Hour in Chinese Painting The Blue Hour in Raphael The Blue Hour in Paul Klee The Blue Hour in Hopper and Rothko The Hour Blue in Joan Mitchell The Blue Hour in Pierre Bonnard The Blue Hour in Leonardo da Vinci and Poussin Historians of Picasso Blue The Blue Hour in Caravaggio The Blue Hour in Symbolism and Surrealism Caspar David Friedrich in His Element Exhibiting the Northern Light Caspar David Friedrich in His Element 2 Varia (Music; Film; Photography etc.) The Blue Hour at Istanbul (Transcription of Cecom by Baba Zula) The Blue Hour in Werner Herzog (Today Painting V) The Blue Hour in Louis Malle Blue Hours of Hamburg and LA Dusk and Dawn at La Californie The Contemporary Blue Hour Historians of Light Explaining the Twilight Explaining the Twilight 2 The Blue Hour in Rimbaud Faking the Dawn (The Doors) Watching Traffic Robert Schumann and the History of the Nocturne The Blue Hour in Robert Schumann Titian, Leonardo and the Blue Hour The Blue Hour Continued (into the 19th century) The Blue Hour at Istanbul (Transcription of Cecom by Baba Zula) The Blue Hour in Werner Herzog (Today Painting V) The Blue Hour in Chinese Painting Dusk and Dawn at La Californie The Blue Hour in Goethe and Stendhal The Blue Hour in Guillaume Apollinaire The Blue Hour in Charles Baudelaire The Blue Hour in Marcel Proust The Blue Hour in Hopper and Rothko The Hour Blue in Joan Mitchell The Blue Hour in Pierre Bonnard The Blue Hour in Leonardo da Vinci and Poussin The Blue Hour in Symbolism and Surrealism Caspar David Friedrich in His Element Caspar David Friedrich in His Element 2 Robert Schumann and the History of the Nocturne The Blue Hour in Robert Schumann
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